The French Invasion was followed by the British.
In February 2013 yet another television producer, this time from England, reached out to me. As the French are from the British, Mr. Turner was entirely different than Ms. Ladou. “I’m contacting you from a television production company called Twofour Broadcast based in Plymouth, UK. We make a documentary series called ‘Born to Kill?’ (known as ‘Twisted’ in the US) which is distributed worldwide. We’re currently on the fifth series and looking to focus one of the episodes on the case of Paul Bernardo and Karla Homolka.
“The series ‘Born to Kill?’ tells the stories of some of the world’s most notorious killers through the words of the people that knew them, their victims, and communities best. The central crux of the series is to answer the nature vs. nurture argument – were these killers’ actions determined by violent predispositions they were born with, or a result of upbringing and life circumstances pushing them towards it?
“For previous episodes we have interviewed prosecution and defence from the cases, spouses and family members of the killers, the perpetrators of the crimes, criminal psychiatrists, victims’ family members, and expert journalists, always receiving positive feedback from those involved. Through those that knew the killer and the contemporary social environment best, we question the true impetus and drive of the crimes, rather than glorifying or vilifying as I’m aware many crime documentaries tend to do when focusing on serial killers.
“To help illustrate the kind of documentary we wish to produce on Paul Bernardo and Karla Homolka, you can find a link to a previous episode we have produced in the series on the case of Santa Cruz killer Herbert Mullin here:
As a consequence of my interaction with Mr. Turner and TwoFour which began in November, 2012 and continued over the ensuing four months I sent a missive to to TwoFour’s Chief Executive Charles Wace cc’d to the Managing Directors Mark Hawkins and Melanie Leach, as well as Executive Producer Neil Edwards.
“I am writing you out of sense of frustration and indignation. I am the author of two books on a Canadian crime commonly referred to as the Bernardo/Homolka case. The case has finally caught the eye of the producer(s) of one of TwoFour Groups’ programs ‘Born to Kill’.
“My two books, both published by Random House Group companies are titled ‘Invisible Darkness: The Strange Case of Paul Bernardo and Karla Homolka’ (1997) and ‘Karla: A Pact with the Devil’ (2003). In spite of their age, both continue to sell briskly around the world.
“I own the worldwide broadcast, media and digital rights. I am recognized as the leading authority on this case and the books are rightly considered encyclopedic and definitive. “Virtually everything of any consequence in my books is understood to be proprietary information.
“In November 2012 someone from “Born to Kill” reached out to me and since then, off and on, and since February 2013, very much on, I have participated in a well meaning and open correspondence with one James Turner. Just before I was to be interviewed for the program in Toronto on March 28, Mr. Turner unceremoniously and without explanation cut me loose for want of a better phrase. His note from March 22 read
Unfortunately we can’t proceed. Thank you very much for your correspondence but the schedule has changed and we’re no longer able to go ahead with the meeting and the interview.
Thanks again for your interest,
“It was obviously the decision of whoever is the exec producer for this segment “Born to Kill” to exclude me. I do know that the project is going ahead because I know a number of the people who are scheduled to be interviewed in Toronto and environs from March 27 through to March 31.
“After all the time I was enticed to commit, not to mention the advice and leads I freely provided, the disrespectful and terse manner in which I have been dismissed cannot stand.
“Mr. Turner thanks me for my ‘interest’. It was not my interest in ‘Born to Kill’ it was the producers’ interest in me and my work. I had never heard of ‘Born to Kill’ or TwoFour Studios before I received an email in November 2012 asking me if I would be interested in participating in the program.
“As Mr. Turner said in his first email to me on February 22, 2013 ‘I’ve been reading your fantastic book, Invisible Darkness, which has helped my understanding of the case immensely. As someone who knows the case and has had direct contact with Karla Homolka, I feel you could offer valuable insight into the case and it would be wonderful to hear from you.’
“To my one line reply asking how I might be of service Mr. Turner said ‘We’d love to interview you for the documentary if that is of interest to you. Any advice you could offer for our own research would also be appreciated.’
Then on February 26 he said ‘Looking at our schedule, the crew is planning to be in Ontario from Wednesday 27th of March to Sunday 31st. Are any of these days convenient for you for the sit-down interview?’
“You might want to review the entire correspondence.
“A great deal of my time has been gratuitously wasted. When it came time to negotiate appearance fees and expenses Mr. Turner, with considerable corporate bombast, he gregariously explained, at length, the TwoFour Studio’s nickel and dime policy.
“Thinking your studio honorable and bona fide and in the interest of getting the story right for the European market I reluctantly agreed to the terms for reimbursement for the bare minimum expenses and nothing else. In return for this agreement, obviously considered by Mr. Turner’s superiors as too generous, I was dismissed.
“I was supposed to be in Boston this week and next. Mr. Turner told me unequivocally that I was going to be involved and I believed him. I rearranged my schedule at considerable expense to accommodate the ‘Born to Kill’ crew in Toronto between March 28th and the 31st.”
In the letter I go on to discuss “breach of contract” and “proprietary rights” inherent in copyrighted material: “Because the case was so complicated and so old, it would be virtually impossible for your lawyers or American lawyers and perhaps, today, even most Canadian lawyers (except for the three or four who did the legal work on both my books) to determine the extent of those rights and if they are infringed. It is virtually impossible to do anything substantial on this case without infringement.
“For example, Mr. Turner explained that the guiding narrative for “Born to Kill” series was the nature v. nurture dialectic. If someone in the segment you are cobbling together were to speculate whether Karla was “mad or just bad” that could constitute an infringement of my rights.
“One of the reasons that the Hollywood movie “Karla” was such a disaster is that the director and producer Michael Sellers was compelled to leave half of what he shot on the cutting room floor because he repeatedly infringed my rights.
“Mr. Sellers was also compelled to pay considerable compensation for assuming he could do his project without consultation with me and/or my agents and the bona fide Hollywood producer who at that time owned the motion picture rights which have since reverted to me. We found it remarkable that Mr. Sellers actually shot his entire movie either thinking that we would not notice or “naively” assuming that no one would raise objection. It is a testament to Mr. Sellers level of competence and his standing within the motion picture and television community that he did.
“For example, one of the things Mr. Sellers had to leave on the cutting room floor was a character based on Dr. Hans Arndt and the entire narrative sub-plot of his controversial, complicated relationship with Karla.
“Dr. Arndt’s relationship, opinions and assessments do not exist anywhere else other than in my books because I had an exclusive arrangement and agreement with him and he died years ago, tragically, a very youthful and fit 60-year-old, without ever speaking to anyone else about the case.
“If you require any more information, I will be happy to provide it. I look forward to your response,